When it comes to music of Washington D.C., Go-Go and early punk are probably the first sounds that come to mind. Still, GEMS — a new project from Clifford John Usher and Lindsay Pitts of Birdlips — is one of several young bands helping to shift that perception (See also: Priests). The duo’s lovely music is haunting and hypnotic with crisp Beach House-like guitar melodies, throbbing synth pads and the Pitts’ dreamy vocals. And while it doesn’t yet have a full-length record out, the band’s EP, Medusa holds a lot of promise thanks to striking pop songs like “Pegusus” and “Sinking Stone.” This is a new band already confident in its live show, and bound to fill bigger spaces soon.
After finally catching one of the band’s recent New York shows at Music Hall of Williamsburg, it’s clear that hype is justified.
CHVRCHES’ dense electronic dance songs are mostly built around serrated computerized beats, layered synthesizers and chirping sampled voices created by Iain Cook and Martin Doherty, all of which propel Lauren Mayberry’s cute, yet commanding vocals that flutter and soars above the mix like embers in the night air. And with clean and buyoant pop hooks, CHVRCHES crafts the kind of memorable choruses on songs like “The Mother We Share” and “Gun” that can fill the club, and later, find yourself singing along to when no one is looking.
Yes, CHVRCHES is a young band. But throughout an incredibly polished 12-song set — where they debuted mostly new songs from the upcoming album that few, if anyone in the crowd had even heard, and then played a perfectly chosen Prince cover as an encore — CHVRCHES showed a confidence, both musically and in stage presence that’s rare at this stage in any group’s arc.
CHVRCHES is a promising band that seems to have arrived fully-formed, which makes it all the more enticing to watch where it will go next.